

The Spirit of Post-War Paris : a 2CV in China Ink
A French icon, Citroën, cruising around post-war Paris
Painted in fine china ink with élégante sobriety, this original and unique (1/1) automotive artwork is a heartfelt tribute to the soul of post-war France - through one of its most beloved icons: the Citroën 2CV. Rendered in black and white with a visual language reminiscent of Robert Doisneau’s timeless photographs, the automotive painter revives a Paris of yesterday, humble yet filled with spirit.
In the foreground, a lone 2CV rolls gently down the rain-soaked cobblestones of a quiet Parisian street - its round silhouette reflecting in puddles still glowing from a recent shower. This image is not staged, but is rather a snapshot of everyday life at the time, a slice of an ordinary moment made extraordinary by the light, the ink and the memories it evokes.
With this automotive painting, the artist doesn't just depict a car - he channels an atmosphere: the resilience of a nation rebuilding and the poetry of modesty. The Citroën 2CV, affectionately known as “la deuche”, becomes more than transportation means - it is the beating heart of an era, drawn with affection and reverence.
For collectors of French automotive heritage, lovers of automotive vintage paintings, or nostalgic souls who remember the simple pleasures of the past, this Citroën automotive work of art will bring back childhood memories with every glance.
For exhibition, collection, or transmission - gift this 2CV in Paris painting to a Gentleman Driver attached to its french roots and childhood memories !

About the Artist.
The artist-designer who paints the soul of cars
The artist fell in love with cars while sitting on his father's shoulders, mesmerised by the racing cars of the Critérium des Cévennes. Inspired by Michel Vaillant from an early age, he associated drawing with speed: drawing a car meant already bringing it to life.
Educated at ENSAAMA and then at the Arts Décoratifs in Paris, he realized his dream by joining the Peugeot Style Centre in 1990. There, he refined his rigour for lines, elegant curves, precise & accurate detail. But it is in painting that he expresses his inner freedom, in a boundless universe.
The painter swapped his tablet for canvas and explored a wide range of techniques - watercolour, acrylic, oil, ink - with an unwavering passion for the curves of the Prancing Horse. His brushstrokes are fluid, spontaneous, almost choreographed. Each artwork becomes a "hand-to-hand connexion with the canvas", a scene in motion, vibrant with emotion, spontaneity and speed - his artistic signature, recognizable among thousands.
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